Scordatura 4 – Nevicata by Benvenuto Terzi

Here’s we go to the 4th part of the Scordatura series. This time I introduce the 6th string tune D, 5th string tune G and other strings remain standard tuning. This tuning is quite common among the classical guitar repertoire.

The model of this tuning is Nevicata (snow-fall) by Italian guitarist, composer Benvenuto Terzi (1892-1980). The music is lyrical and shifting between G major and G minor (that’s what this tuning for). There’s a special technique that the left hand playing the trill while the right hand playing the artificial harmonic at the same time create an amazing effect.

Scordatura 3 – Kinkachoo, I love you by Phillip Houghton

“Kinkachoo, I love you” is the work from Australian composer Phillip Houghton’s pen. Phillip Houghton (1954-2017) was a highly original guitarist, composer and teacher.

“…the Kinkachoo, a mythical bird, once wounded in the Spirit-Realm, heals and flies into the world …” this is the words from the composer on the score. This lyrical and poetic work required the 6th string tune to F added the mystical ambience to the piece.

Scordatura 2

Scordatura – beyond standard tuning explore by the composers. In this Scordatura series I will share the different tunings of guitar music to you.

French composer/guitarist Roland Dyens use drop D tuning in his composition “Saudade No.3”. While he arranged the famous chanson Française “L’Hymne à l’amour”  employed the drop E flat tuning, which is tune the 6th string from E to E flat to fit the key of the song E flat.

Sakura Variations on 9 guitars


There’s a saying that Japanese reserve the best for their people. The most popular version of Sakura Variations by Japanese composer/guitarist Yuquijiro Yocoh which is published by GSP.

Back in 1980s’ a friend bought me a book from Japan by the same composer which included the Sakura Variations is so different than the GSP version. There including 6 variations with an extent introduction and slightly different arrangement of the theme compare to the GSP edition. So this Japanese version is more substantial than the GSP version, including the coda there’s 9 sections at all. And I find that some of the variations are interesting indeed.

Here’s the Japanese edition of Sakura Variations I play on 9 different guitars, hope you enjoy it.

Scordatura

Guitar is a versatile instrument cover different style of music and technique. But the most fascinated me is the use of Scordatura.

Scordatura or alternate tuning is a technique in which players tune their strings to different notes from standard tuning. The use of this technique is found throughout the history of classical guitar. This made it possible to play unusual chords or combination of  notes in string-crossing and even unusual keys on guitar.

The standard tuning of guitar is from 6th string to 1st string : EADGBE . The most frequently use of scordatura on classical guitar is the Drop D tuning. It is tune the 6th string from E to D, the tuning became DADGBE. This tuning got a deeper bass effect and mostly played in key of D. 

Here’s two examples pieces by the same composer Leo Brouwer. The first one is his famous movie theme ‘Un día de Noviembre’ is in standard tuning. The other is his arrangement for guitar ‘Drume Negrita’ which is in Drop D tuning. 

Saudade No.3 by Roland Dyens

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I first found this piece when I was studying in Spain in late 1980s, and started to play and  performed it in 1990s. It was in 2014 when Roland Dyens, the composer of this piece, visited HK to play a concert and giving master class. During the class I learned that the composer had did a new edition to this piece. So I acquired the new score and learned it again. 

This music is Dyens’ first published work and after 25 years in 2005 the composer had re-edited to it. According to Dyens’ words “…..(this music) undeniable brought me the first signs of recognition as a composer.”

I played 3 Kazuo Sato guitars in this video: a 2020 Prestige model in the 1st movement Rituel; a 2019 Special model in the 2nd movement Danse; and my 2018 Special model in the last movement Fête et Final.

At last I like to thank Mr. Mok Wai Hin of Enjoyment Music House who produces this beautiful video and generously let me play his newest arrival Kazuo Sato guitars in this video.

Sérgio Assad

Sérgio Assad (born 26 December 1952) is a Brazilian guitarist, composer, and arranger who often performs with his brother, Odair Assad in the guitar duo Sérgio and Odair Assad, commonly referred to as Assad Brothers or Duo Assad.

Born into a musical family in Mococa, São Paulo, Brazil, Sergio Assad began creating music for the guitar not long after he began playing the instrument. He learned Brazilian folk melodies from his father. By age 14, he was arranging and writing original compositions for the guitar duo he had formed with his brother, Odair. At the age of 17, he and Odair began their studies under the best known classical guitar teacher in Brazil at the time, Monina Tavora, a former disciple of Andrés Segovia. Sergio later went on to study conducting and composition at the Escola Nacional de Música in Rio de Janeiro,and worked privately with Brazilian composition teacher, Esther Scliar.

Farewell is the music about death which is from Japanese movie Natsu No Niwa (Summer Garden). The story of the movie : One summer, three young boys take an increasing interest in an eccentric old man who lives alone in a house surrounded by an overgrown garden. The boys form a bond with the recluse and set about weeding and replanting the garden.

The music is about the boys say goodbye to the suddenly dead of the old man. When the composer composed this music after his wife just passed away.

Poignancy from June’s Poems by Hui Cheung-wai



Poignancy is the third movement of the substantial suite June’s Poems for flute and guitar by Hong Kong composer Hui Cheung-wai. The suite included four movements with a total duration of 25 minutes. This work was composed between 1991 and 1992 for the incident of June 1989 and premiered in 1992 by Peter Chan (Flute) and Stephen Chau (guitar). 


In this movement the piercing and rustic sound of the piccolo, together with percussive timbres from the guitar express the agony under pressure, with the consequent outburst of unbearable grief. The primitive scream of emotions with the dissonant music creates the high tension as the climax of the suite.


This recording is from the live performance as the same  performers of premiere at June 2013, with the poet Chan Chi-tak recited his poem which inspired by the music. Here’s the poem translated in English and the original Chinese :




Painful calls of spring  —  Chan Chi-tak


Gunshots drown the sporadic calls of spring 
Try to remember, and remember, but bound to be mistaken 
Faced with the tanks time and again 
We cannot hide our fear but can only forge ahead 


Roars in unison are not the voices of our times
This age is advanced and harmonious in its advance
For no reason, the crying birds fly in opposite directions and become divided 
Singing discordantly about harmony cherished by our times


Gunshots drown sporadic human voices 
Try to forget, and forget, but bound to visualise again 
None of the struggles in life can compare to 
The shocking moment of the approaching tanks 


Why do we keep silent? Why do we weep?
The world is noisy and yet quiet 
Television strives to dumb us down 
Web pages delete texts like hurried demolitions


Let the roars be heard until we meet again 
My friends, are the birds’ songs only a replay of our songs of farewell?
It’s twenty years since, yet more ills are immediately before our eyes 
The candles are never too weak, only our vision may be too narrow 




劇痛春啼   –   陳滅


槍響淹滅斷續春啼
盡量憶記、憶記又總錯認
那怕生命已幾番臨遇坦克在面前
難掩怯懼也唯有搔頭再上迎


嘯聲不在這時代應和
這時代先進更先進地和諧
啼鳥不知怎地分飛更分化
不協和地互唱成就這時代願見的和諧


槍響淹滅斷續人語
盡量遺忘、遺忘又總重見
生命中每一趟掙扎也許都不像
那一刻坦克臨近的愕然


為什麼禁聲?為什麼嗚咽?
時代喧囂卻噤若寒蟬
電視致力降低我們的心智
網頁刪去文字如更多急遽的拆遷


嘯聲何妨響遍直至我們相見
朋友,鳥語是否只是我們重播的驪歌?
廿多年遠去再有更多疾首相近在目前
不怕燭火虛弱只怕我們的視野太淺